Fighting talk | ||
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Verbal
expression
Talk is the process where we
communicate our thoughts, our ideas verbally.
As a child we learn words, then how to put words together...
Eventually we manage to express ourselves in a more comprehensible
fashion.
Talking with skill
We can communicate more effectively if we:
Increase our vocabulary (learn new words, their meaning and application)
Pronounce words better
Speak more accurately
Choose our words more carefully
Play with verbal wit
Examine the root of words
Learn different ways to express things appropriately
Read challenging books that present new ideas and change how we think
Explore different mediums of verbal expression (poetry, Shakespeare etc)
We can learn other languages/new words
This is not a definitive
list, but it serves to illustrate the fact that talking can be taken for
granted or elevated to an art form.
The
choice is yours.
Physical expression
Tai chi is not about talking.
Instead of words, we express ourselves
physically.
This is precisely why hours of talking is
never a substitute for hours
of physical practice.
Your tai chi is the physical embodiment
of Taoist insights.
It is a physical, living legacy.
I know tai chi...
Martial
skill can be considered in the same way as
talking. Are you limited to a vocabulary of 800 words?
Or can you understand a Shakespearean sonnet or perhaps compose one of your
own?
In tai chi terms this is about your abilities, your
physical skills.
A new starter knows nothing and can do
nothing.
An expert plays with the art and can express
themselves martially in a very diverse range of
ways.
Martial art
Are you martially
articulate or limited to a few grunts? Most people are primitive in their
martial
skills.
It is a sad truth but the
truth nonetheless.
A tai chi exponent not only
seeks martial skill, but also the ability to employ their art in a
highly-refined, sophisticated
way.
There are three gross levels of martial expression:
Our
syllabus enables the student to progress through
these levels at their own pace.
When you meet a master swordsman,
show him your sword.
When you meet a man who is not a poet,
do not show him your poem.
(Lin-chi)
Beginner
The first level of training
furnishes the student with a wide range of
simplistic concerns.
Qigong encourages basic connection,
relaxation, heaviness,
strength,
whole-body movement, coordination and
presence. Form expands this by shaping movement into martially
constructive methods.
Footwork is added, balance
is explored.
Partner work expands the foundation training by introducing the
physical concepts and functional
principles necessary to eventually
employ tai chi martially.
In short, the student knows a few words.
Skilled
Experienced includes
the acquisition of over 100 applications.
These are movements derived from the
long
Yang
form and applied in certain
scenarios using chin na,
shuai jiao and striking.
At this level of training the
applications are merely techniques: a step-by-step formula designed to
counter-act a fixed, known, predictable
attack.
The student is learning how to fit words together and form sentences.
Paying attention
The predictability of a technique is crucial for the
student.
It provides an opportunity to stop worrying
and focus on eliminating faults from
their method and polishing their skills.
All of the foundation training
must be incorporated into each technique.
There must be good footwork,
peng, groundpath,
stickiness and the ability to sustain/maintain
control throughout the technique. The student is becoming aware of how they speak.
Mistakes
At each step of a given technique there is scope for a
counter-attack.
The student must improve
their technique in order to increase the
effectiveness of their skills and offset the
risk of defeat.
Every movement must be applied with a non-cooperative opponent in mind.
There must be no forcing, holding or struggling.
This is akin to leaning how to pronounce your words clearly.
Martial sets
Short partnered sets teach the student the meaning of application. Faced with a predictable, known attack the student must employ the given
movements effectively.
These are not techniques.
They are more reflexive and less obvious.
As the set becomes familiar and the pattern
improves, it accelerates in speed until the student begins to stop
thinking. Muscle memory takes over.
Solo home training must supplement partnered class practice in order to
facilitate habit. The student is now talking in a less self-conscious manner.
Principles
In order to transcend the
formulaic nature of technique and respond more freely
to attack, the student must discover the underlying
principles inherent within each technique.
Once a principle is evident, the student
can see how it may be adapted, changed and
improvised.
From a single principle, many techniques may be developed.
The student has begun to understand what the words really mean.
Advanced
In terms of talk, the skilled practitioner
has a working grasp of language.
They can communicate in a more effective manner.
Far from fluent, they are at least
intelligible.
Their tai chi is hardly refined but it has a good foundation and this can
now be built upon. The student is beginning to make a lot more sense.
Application
The student turns their attention
to form.
Within the endless movements are innumerable martial applications,
tactics and
insights.
Drawing upon the preceding skills, a repertoire of techniques (and their
unique principles), the student is now
capable of developing their own applications.
This is important. The student must apply the art as they see fit. After all,
they are the ones doing the fighting.
The role of the instructor is to highlight
weaknesses, suggest alternatives and generally encourage the student to
improve their methods.
Utilising chin na,
shuai jiao,
striking and the tai chi
principles, the student is required to
discover at least 7 applications for every
form movement. The student can now converse.
Combat
Once the student is truly adept with
application, they turn their attention to unrehearsed combat.
Throughout the syllabus the student has been
challenged with the unknown but now the art must be expressed
spontaneously against a non-cooperative attacker.
The extensive range of applications and the
deeply-ingrained martial habits are vital.
Faced with great uncertainty, the student must
remain calm and respond well.
There will be no room for fixity or formula.
This is the time for presence and the
confident application of the art.
The student can now engage skilfully in debate/argument/disagreement and
respond appropriately.
Fighting without fighting
The ultimate stage of combat is the
ability to avoid fighting altogether... This can be achieved through a wide
range of approaches.
Behind such skill is also the knowledge
that the exponent can and will use
the art if they are
required to.
The ability to incapacitate the opponent from the
onset is highly prized in tai chi.
To quote Wu Yu-hsiang:
If the opponent does not move, then I do not move. At the opponent's
slightest move, I move first.
The student is now articulate
enough to express exactly what they mean at any given
time and can end disagreement without a loss of amity.
Tai chi talkers
Sadly, most
tai chi people are martially
mute.
They cannot express the art in combat.
At best, perhaps a word or two.
Finding a skilled
tai chi exponent who can
physically express the art to its
full potential is rare.
Page created 21 May 1996
Last updated
16 June 2023